Showing posts with label Martin Creed. Show all posts
Showing posts with label Martin Creed. Show all posts

Friday, October 16, 2009

Martin Creed

What would an evening with the man who created the whole world plus the art equals the whole world, and lights switching on and off, in a dance studio in Islington, consist of? Some mathematical ballet, arty videos and repetitive drumming and strumming, along with Creed's distinctive vocals and slightly awkward but endearing gait. A very funny and relaxing evening, full of surprises and amusements, pauses, possible improvisations and planned happenings. In the midst of it, the choreographer called out seemingly spontaneous and random letters - "We'll have L followed by T front to back" - and the dancers rhythmically entered the space, producing ordered and controlled movements that reminded me of square numbers and logorithmic equations. Creed joked throughout the evening ... In one distinctive piece he commented that he had got the timing wrong, in another he stumbled over that he was glad to be there - he thought. Some may ask, as Creed did in his first song, what's the point? But that is, I think the point. A great evening.

Thursday, November 13, 2008

Martin Creed

We went to Martin Creed's flat yesterday. A bit more crowded than that sounds, though! He is using his Brick Lane flat as a mini gallery, and the small front room was packed. I had arrived later than H, and was wondering where to find the flat. However, as I paused on a corner and looked around, I noticed a light going on and off just above me, and knew that I had reached my destination! Other than that infamous work, I could not see Creed's other painting - the works on display in the front room were all by other artists. However, the highlight of the evening was first of all recognising, and then talking to, Martin himself. I hadn't realised that H had met him before, although I am sure that he would have been just as pleasant, down to earth and friendly if we were only all meeting him for the first time. It was very tempting to tell him that he was one of my favourite conceptual artists, but I didn't, even though he is. I think that I particularly like his work since I discovered it first not in a gallery but in the house of a friend, before he won the Turner Prize. I remember trying to explain his work to other teachers at school when he won that! Nice to have finally met him.